This superb fuchi kashira represents at once two important traditions popular in the Momoyama through early Edo periods.  The floral motif of cloves and vines deeply carved from the shakudo, such that the walls surpass verticality is a distinctive technique of the Ko Mino tradition.  This technique permitted a design to nearly float over a background plate, which was often stippled or textured with fine nanako.  Adding to the effect is the application of gold gilding to select surfaces.  The second tradition is Higo.  The Higo tradition is not defined by a specific technique per se, but is rather represented artistically by a compilation of styles, motifs and techniques common throughout a broad region of Kyushu and southern Honshu.  The Higo tradition is often associated with the cultural revitalization and influence of aesthetics from the 'tea culture' which became extremely popular in the late Muromachi through early Edo periods.  The Higo influences of this set come from the distinctive shape of the kashira - a style popular in the south.  This shape could be judged extreme or unusual, but was actually highly practical in achieving a taught tsuka wrap, especially when using leather.  Its practicality coupled with its minimalist qualities perfectly define the muted elegance of the classic Higo style.  The combination of the two traditions achieve a subtle, refined look embellished with gold highlights.

Overall this is a very attractive set, well-made and preserved.  Although it would look simply fabulous mounted on a high-end Higo koshirae, I think it is best appreciated on its own. 

Late Momoyama to Earliest Edo Period (ca. 1600)

Published: Kinki Mino Bori, 1973.

 

SALE $1,600